OFFICIAL SELECTION 2016 EKO INTERNATIONAL FILM FESTIVAL

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Eko International Film Festival which the 7th edition will kick off October 24-29,2016 at the prestigious Silverbird Cinemas Victoria Island. Lagos, Nigeria. Below is the Official Selection of films for the 2016 Edition.

EKOIFF OFFICIAL SELECTION 2016
FEATURE FILMS

1.JIMI BENDEL  by Ehizojie OJESEBHOLA NIGERIA

2.DREAM AMERICA by Paresh GONDA LIYA(PATE) UGANDA

3.CHILLY ON THE LIPS by Laurence LEPEYTRE FRANCE

4.DIARY OF A LAGOS GIRL by Nike ERINFE NIGERIA

5. JOURNEY TO THE MOTHER by Dr. Mikhail KOSYREV-NAESTEROV RUSSIA-FRANCE

6.ATM by Lancelot EMASUA NIGERIA

7.TWIST by Adeniyi ANN NIGERIA

8.JALAM (WATER) by Sohan ROY INDIA

9. IT’S HER DAY by Bovi UGBOMA NIGERIA

10..JACK STRONG by Wladyslaw PASIKOWSKI POLAND

11. JUST NOT MARRIED by Judith AUDU FOGHT NIGERIA

 

DOCUMENTARY FILMS

1.A WOUND THAT NEVER HEALS by Joe PISCIOTTA USA

2. NO TO MAMA’S MOVEMENT by ROKHAYA DIALLO France

3. Wellness to Wilderness by Bob ENNIS Canada

4. NOWHERE TO RUN by Dan MCCAIN Nigeria

5.MOVING FOREST by Yanette SHALTER/Emmanual COQUELOU
Indonesia

6. DOWN TO DUSK by Dakup NANMET Nigeria

7. MAKOKO by Femi ODUGBEMI Nigeria

8.HEROES WITHOUT CAPES by Lia BELTRAMI ENGLAND

Indigenous film Category
1. Eni Owo by Tijani ADETAYO       NIGERIA
2. Ileri Ife by Queen EBIGIESON     NIGERIA

SHORT FILMS.
1. THE WALKER             by    Oliver CHBALIER                     FRANCE
2. BIRTHDAY PRESENT by Guy LICHTENSTEIN                 ISRAEL/AUSTRIA
3. SUNDAY NOTE         by Osayande EHIOGHILE                 NIGERIA
4. BOUT                         by    Jide ALI                                         NIGERIA
5. EXTRA TIME              by  Patricia OGHE IMOBHIO               NIGERIA
6. RAINBOW WITHOUT COLOUR   by Osezua S.IMOBHIO    NIGERIA
7. SUCCUBUS              by  John OHAERI                                   NIGERIA
8. OTEGA                      by  Ugochukwu G. EGBOLUCHE       NIGERIA
9. ANOMALO                by  Aitor GUTIERREZ                            SPAIN
10. THE FOREST         by Bolaji HASSAN                                   NIGERIA
11. FIGHTER                 by Joan CHIJIOKE                                  NIGERIA
12. SHADOW OF JUSTICE  by Tough BONE                              NIGERIA
13. OPEYEMI                by Alvan OBICHIE                                   NIGERIA
14. RAINBOW WITHOUT COLOUR by Osezua I. IMOBHIO      NIGERIA
15. IRETI                       by  Tope OSHIN                                        NIGERIA

Eko International Film Festival 7th edition in Collaboration with US-Embassy Lagos American Documentary Showcase

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aaaEko International Film Festival is one of the largest film festivals to take place in Africa. It is a key part of our cultural infrastructure: they inspire audiences, artists, filmmakers and professionals from other parts of the world.

Eko International Film Festival is the longest running independent film festival in Lagos and the 7th edition is slated to take place October 24-29, 2016.Eko International Film Festival recognizes excellence in film industry.

The Lagos State Government under the able and dynamic leadership of His Excellency Executive Governor Akinwunmi Ambode has endorsed the annual Eko International Film Festival.

aa The 7th edition of the annual Eko International Film Festival is having collaboration with United States Embassy on American Documentary Showcase prior and during the festival. This collaboration with brooded the importance of using film as a tool for change in the society and also improve youth empowerment.

This program is a Program coming out from US State Department Bureau of Educational and Cultural Affairs (ECA). The American Film Showcase (AFS) provides a platform for both PAS and our partner organization to explore important themes such as freedom of expression, conflict resolution, civil rights, climate change, disability rights, economic development, and women’s empowerment, and through this program engage and empower key audiences, especially youth, and marginalized communities.

The Film envoys team consists of two film professionals: A filmmaker and a film expert. The film maker would have made a featured film included in the AFS collection and the film expert is an experienced film maker, academic or film industry professional to handle the master class /workshops.

Venues are

(a)Ozone Cinemas Yaba October 21, 2016 , Time :10am – 4pm,

(b)Silverbird Cinemas Victoria Island,Lagos.October 24,2016,Time:10am – 4pm,

The American Film Showcase program consists of two primary components; person-to-person diplomacy trips in which envoys travel to selected countries targeted for this programming,

The film envoys: the filmmaker of a featured AFS film, and an AFS film expert. Pairing a film expert with an AFS filmmaker allows the activities to go beyond screenings and Q&As to include workshops and master classes.

This often deepens on the impact of the program in terms of conveying the power of filmmaking. The expert offers a distinct set of skills that the filmmaker may not possess, from providing a broader historical framework for the making and reception of documentary films to film fundraising, and can provide context and insight into the big picture of filmmaking.

The selected AFS films will be divided into three thematic modules –
Women and Girls Empowerment,
Youth Empowerment,
Diversity and Civil Society.

We are also to address other issues such as
Tolerance,
Civil society engagement,
Conflict mitigation ,
Countering violent extremism through youth engagements.

The programs will also include film screening and workshops centered on capacity development for the creative film industry in Lagos.

Bearing in mind that millions of Nigerians who identify with the Nigerian film industry popularly known as Nollywood, and considering the size and diversity of Nollywood.

Our Guests
University of Lagos Mass Communication and Theater Art.
Yaba College of Technology students, invited guests including women and children to view and have an interactive session with the speakers.
Including College of Educations and College of Technology around Lagos
Nollywood film Practitioners and celebrities will be part of the Master Class
Motion Pictures Practitioners Association of Nigeria (MOPPAN), Nollywood actors and actresses, independent television producers,
Students of the film department at Pan Atlantic University Lagos, women and the students of Holy Child Girls Secondary School Lagos.
Several NGO are also invited to attend the event.
Quest Speakers from University of Southern California Cinematic Department.
Everyone is free to attend this year’s American Film Show case.

The 7th Eko International Film Festival program will continue after the documentary showcase at the Silverbird cinemas till the last day which will end with an award ceremony on October 29,2016.

a

Theses 2016/17 Films addressed themes such as :
• Women and Girl’s Empowerment
• Youth Outreach
• Diversity and Civil Society
• Disability Rights
• Education
• Participatory Democracy/
• Freedom of Expression
• Technology

SELECTED TITLES

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Here are the films (not arranged in priority order).

1.All Rise

Synopsis:
How can international disputes be resolved in the courtroom rather than on the battlefield? ALL RISE brings this complex question into sharp and personalized focus through the journeys of seven passionate students of law from India, Israel, Jamaica,Palestine, Russia, Singapore, and Uganda to compete in the world championships in
Washington, DC, of the Philip C. Jessup International Law Moot Court Competition (the “Jessup”), the world’s largest simulated court competition. The “court” is the International Court of Justice (“ICJ”), the judicial arm of the United Nations. Against this backdrop, this moving film lays bare the struggles, triumphs and transformations they experience alone and together.

Filmmaker Bio:
Mr. Saunders is an Emmy-nominated and Peabody Award-winning filmmaker. He founded Cinema Capital in 1998, a production company based in New York City focused on realizing visual content from feature films to interactive programming. After a short-lived career as a professional soccer player, he got his start in film in 1993 working as a script reader at EMK Productions in Los Angeles working on behalf of HBO and TNT. Since then, Mr. Saunders has directed and produced fiction films, nonfiction films, series, commercials and Industrials as well as working with Fortune 500 companies on their brand strategies. His films have been selected at international festivals including the Berlin Film Festival, SWSX, IDFA and Thessaloniki Film Festival to name a few and acquired by distributors and broadcasters including Sundance, ARTE, PBS, Film Movement, IndiePix, ZDF, Film Movement, Netflix and SBS. His feature film GOAL DREAMS was selected as one of the top 10 ‘Movies That Matter’ by Amnesty International in 2006. In 2010, Mr. Saunders produced the feature fiction film ANY THING staring Greta Gerwig and Jonathan Zaccai, which premiered at the SWSX Film Festival. His current feature film, ALL RISE, follows the world’s largest international law moot court completion and is nearing completion.
Mr. Shapiro has been working in the film industry for a decade after having studied documentary and film production at Clark University where he was awarded a fellowship by the Anton Group to produce a documentary in Ghana entitled LIKE ME, I AM HERE. He has specialized in international documentaries and recently released OPPOSITE FIELD, a film which chronicles a Ugandan Little League Baseball team.
ALL RISE marks a natural progression in Shapiro’s career which allows him to explore his intellectual interests in the future of international law while employing his expertise in multi-country production.

2. I’m Not Racist…Am I?
Filmmaker: Catherine Wigginton Greene

Runtime: 93 minutes
Synopsis:
I’m Not Racist… Am I? is a feature documentary about how this next generation is going to confront racism. We asked 12 teenagers from New York City to come together for one school year to talk about race and privilege in a series of workshops and in conversations with friends and family members. We hope that by documenting their experience, the film will inspire others to recognize and interrupt racism in their own lives.

Filmmaker Bio:
Catherine Wigginton Greene is a director, writer, and producer with Point Made Films, an independent production company based in New York City that makes documentaries about American identity.
She directed the feature documentary “I’m Not Racist… Am I?” which follows a diverse group of teens through a yearlong exploration of race and racism. Previously, she coproduced the documentary feature “In 500 Words or Less,” which followed four high school seniors as they tried to figure out who they were and who they wanted to become while forging through an anxiety-filled college application process.
In addition to making films, Catherine develops short educational videos, curricula, and discussion guides to accompany all of Point Made’s films so that viewers can connect more deeply to the film’ subject matter. She also travels the U.S. leading workshops and facilitating dialogue about race and racism. She currently has in development an educational video series to accompany “I’m Not Racist… Am I?,” and she wrote and produced the “Adopted: We Can Do Better” video series for adoptive families – a companion educational program for the documentary “Adopted” that explores the unforeseen complications in transracial adoption.
Prior to working with Point Made, Catherine received her MS in Journalism from Columbia University’s Graduate School of Journalism and she wrote feature stories for magazines and alternative newsweeklies. She lives in Washington, D.C., with her husband and three daughters.

3.Keepers of the Game
Filmmaker: Judd Ehrlich
Runtime: 82 minutes

Synopsis:
Lacrosse was born in Akwesasne Mohawk Territory as a sacred game, traditionally reserved for men. Just off the reservation at Salmon River High in Fort Covington, NY an all-Native girls lacrosse team comes together, seeking to be the first Native women’s team to bring home a Section Championship. But first, they will have to overcome their crosstown rivals, Massena High. As the season comes to a head, the team is faced with increasing ambivalence in their own community and the girls must prove that the game of lacrosse is their rightful inheritance. With more than just the championship on the line, the girls fight to blaze a new path for the next generation of Native women, while still honoring their people’s tradition in a changing world.

Filmmaker Bio:
Judd Ehrlich is a Grand Clio and Emmy-winning filmmaker. His 2008 documentary Run for Your Life screened at the 2008 Tribeca Film Festival. His 2014 documentary We Could Be King won the Sports Emmy Award for Outstanding Sports Documentary.

4. Brave Heart: The Lizzie Velasquez Story
Filmmaker: Sara Hirsch Bordo
Runtime: 78 minutes
Synopsis:
A BRAVE HEART follows the inspiring journey of 26-year-old, 63-pound Lizzie from cyber bullying victim to anti-bullying activist. Born with a rare syndrome that prevents her from gaining weight, Elizabeth “Lizzie” Velasquez was first bullied as a child in school for looking different. As a teenager, she was bullied online when she discovered a YouTube video labeling her “The World’s Ugliest Woman.” The film chronicles unheard stories and details of Lizzie’s physical and emotional journey up to her multimillion viewed TEDx Austin Women talk (#1 TEDWomen event of 2013) and follows her evolution as motivational speaker and activist as she lobbies Congress for the firs tfederal anti-bullying bill: the Safe Schools Improvement Act (SSIA).

Filmmaker Bio:
A native Austinite, Sara has held positions in media and entertainment including Executive Director of Interactive Marketing at Paramount Pictures, VP of Digital Marketing at MGM Studios, and CEO & Co-Founder of NowLive (acquired by Live Media Group in 2013) where she executive produced live events including The Hunger Games Premiere, Macy’s Fashion Night Out, and the Academy Awards Red Carpet. She was selected to attend The White House Women Entrepreneurship Conference in 2010, The White House Champions for Change Summit in 2012, and in 2012 and 2013 was nominated for Fortune’s Most Powerful Women Entrepreneur, and The Producer’s Guild of America New Media Council and Women’s Impact Network. Most recently, Sara moved back to Austin for the role of Executive Producer for the first TEDx Austin Women, which was the most viewed 2013 TEDx Women event worldwide.
Sara is honored to be directing and producing A Brave Heart: The Lizzie Velasquez Story.

5.Catching The Sun
Filmmaker: Shalini Kantayya
Runtime: 75 minutes

Synopsis:
Through the stories of workers and entrepreneurs in the U.S. and China, Catching the Sun captures the global race to lead the clean energy future. Over the course of a solar jobs training program, Catching the Sun follows the hope and heartbreak of unemployed American workers seeking jobs in the solar industry. With countries like China investing in innovative technologies and capitalizing on this trillion-dollar opportunity, Catching the Sun tells the story of the global energy transition from the perspective of workers and entrepreneurs building solutions to income inequality and climate change with their own hands. Their successes and failures speak to one of the biggest questions of our time: will the U.S. actually be able to build a clean energy economy?

Filmmaker Bio:
Shalini Kantayya finished in the top 10 out of 12,000 filmmakers on Fox’s ON THE LOT, a show by Steven Spielberg in search of Hollywood’s next great director. Her sci-fi film about the world water crisis, a DROP of LIFE, won Best Short at Palm Beach International, and was broadcast on national television in the U.S. and India. A William J. Fulbright Scholar, Shalini has received recognition from the Sundance Documentary Program, IFP Spotlight on Documentary, Firelight Media Lab, Jerome Hill Centennial, New York Women in Film and Television, and the John D. and Catherine T. MacArthur Foundation. She is a Sundance Fellow, a TED Fellow, and a was a finalist for the ABC Disney | Directors Guild of America Directing Fellowship. Her debut feature, Catching the Sun, premiered at the Los Angeles Film Festival.

6.City Of Gold
Filmmaker: Laura Gabbert
Runtime: 96 minutes

Synopsis:
CITY OF GOLD chronicles Pulitzer Prize-winning restaurant critic Jonathan Gold’s deep and complex relationship with the food and culture of his city, Los Angeles. Gold has long been known for his robust writing about the hidden culinary treasures in LA; he was one of the first critics to review small family owned restaurants in far-flung ethnic enclaves with as much care as the haute cuisine establishments of Beverly Hills. With a stroke of his pen, he’s changed the lives of countless recent immigrants cooking the food of their homes. With a stroke of his pen, he’s changed the lives of countless recent immigrants cooking the food of their homes.

Filmmaker Bio:
Documentary director Laura Gabbert’s critically acclaimed films deploy full measures of humor and drama to unflinchingly put a human face on such difficult social issues as aging, the environment, and AIDS. NO IMPACT MAN, which the Los Angeles Times called “terrifically entertaining, compelling and extremely funny,” premiered at the 2009 Sundance Film Festival, and played theatrically in over 30 cities. Her previous film SUNSET STORY (PBS) won prizes at Tribeca and LAFF. About it, the New York Times wrote, “Sunset Story may break your heart, but it will also make your day.” Other credits include THE HEALERS OF 400 PARNUSSUS (PBS) and GETTING TO KNOW YOU (Sundance, Venice).
Most recently, Laura directed and produced the feature documentary CITY OF GOLD about Pulitzer Prize winning food writer Jonathan Gold. The film premiered in competition at the 2015 Sundance Film Festival where IFC/Sundance Selects picked it up. City of Gold is now playing theatrically in over 40 markets.
Laura received her MFA from UCLA’s School of Theater Television and Film.

7.Code: Debugging The Gender Gap
Filmmaker: Robin Hauser Reynolds
Runtime: 90 minutes

Synopsis:
Tech jobs are growing three times faster than our colleges are producing computer science graduates. By 2020, there will be one million unfilled software engineering jobs in the USA. Through compelling interviews, artistic animation and clever flashpoints in popular culture, CODE documentary examines the reasons why more girls and people of color are not seeking opportunities in computer science and explores how cultural mindsets, stereotypes, educational hurdles and sexism all play roles in this national crisis. Expert voices from the worlds of tech, psychology, science, and education are intercut with inspiring stories of women who are engaged in the fight to challenge complacency in the tech industry and have their voices heard. CODE aims to inspire change in mindsets, in the educational system, in startup culture and in the way women see themselves in the field of coding.

Filmmaker Bio:
Robin is director and producer of cause-based documentary films at Finish Line Features, LLC. As a business woman, a longtime professional photographer and a disrupter, Robin brings her leadership skills, creative eye, and unleashed passion to her documentary film projects. Her artistic vision and experience in the business world afford her a unique perspective on what it takes to motivate an audience. Robin’s most recent award winning film, CODE: Debugging the Gender Gap, premiered at Tribeca Film Festival 2015, and has caught the attention of the international tech industry and of policy makers in Washington, DC and abroad. Previously, Robin co-directed and produced the documentary feature, Running for Jim, which won 14 awards at 20 film festivals. She has spoken about the importance of diversity in the workplace and on behalf of women’s rights at Mobile World Congress, Conferences for Women, SXSW
Interactive Conference, InspireFest, AT&T Foundry FutureCast, Dell Women Entrepreneur Network. Robin has been featured in national publications: USA Today, Wired, Forbes, Fortune, The New Yorker, The Atlantic, Fast Company, Cosmopolitan, Glamour, Marie Claire, San Francisco Business Times and has appeared on Bloomberg TV, CNN, NPR. Robin is the 2016 recipient of the National Women’s Political Caucus President’s Award for Exceptional Merit in Media.

8.CodeGirl
Filmmaker: Lesley Chilcott
Runtime: 107 minutes

Synopsis:
By 2017, the app market will be valued at $77 Billion. Over 80% of these developers are male. The Technovation Challenge aims to change that by empowering girls worldwide to develop apps for an international competition. From rural Moldova to urban Brazil to suburban Massachusetts, CODEGIRL follows teams who dream of holding their own in the world’s fastest-growing industry. The winning team gets $10K to complete and release their app, but every girl discovers something valuable along the way.

Filmmaker Bio:
Lesley Chilcott is an award winning filmmaker, documentarian, and producer. She is the Chair of the West Coast Producers Guild of America (PGA) Non-Fiction documentary committee, and hosts popular PGA screening series The Doc Club. Chilcott got her start in film and production with MTV Networks. Before she made documentaries, she produced and directed hundreds of TV commercials. She was a producer of the 2007 Academy Award-winning documentary, AN INCONVENIENT TRUTH and also produced the amazing rock documentary IT MIGHT GET LOUD (2009) about legendary guitarists The Edge, Jimmy Page and Jack White. Other notable Chilcott-produced films include A MOTHER’S PROMISE, the Barack Obama biographic film for the Democratic National Convention in 2008, and WAITING FOR SUPERMAN (2010), for which she received an award for Outstanding Producer of Theatrical Documentary from the PGA.
In 2014 Chilcott directed the feature documentary, A SMALL SECTION OF THE WORLD, about a village of women coffee producers from the Talamanca mountains of Costa Rica which played at the State Department of the UN in Geneva. The film also had and theatrical run and aired in 40 countries through Sundance International. Her short film CODESTARS garnered over 20 million views online and was the number one video on youtube.com for two days.

9.Generation Startup
Filmmakers: Cynthia Wade, Cheryl Miller Houser
Runtime: 94 minutes

Synopsis:
Generation Startup is a feature documentary that captures the struggles and triumphs of Venture for America fellows as they launch startups in Detroit. Shot over the course of 15 months, the film is a celebration of entrepreneurship, innovation and economic rejuvenation of Detroit.

Filmmaker Bios:
Cheryl started her career producing award-winning, engaging stories for film and television. Excited by the limitless power of storytelling in the digital age, she founded Creative Breed in 2013 to create compelling content across all platforms to engage viewers and inspire them to act. Some of Cheryl’s credits include David O. Russell’s first movie Spanking The Monkey, winner of the Sundance Audience Award and Academy Award nominated documentary Children Of Darkness. From 2004 until 2011 Cheryl was Executive VP of Programming at Atlas Media Corp, a leading non-fiction production company, where she helped create and oversaw hundreds of hours of programming for many leading cable broadcasters including over 90 episodes of Dr.G: Medical Examiner, the top-rated show on Discovery Health and the hit Travel Channel series Hotel Impossible. Cheryl constantly pushes herself and her teams to create outstanding, innovative content that captivates and inspires viewers.
Cynthia Wade won an Oscar and 16 awards for her 2007 short documentary FREEHELD, and was lead producer for the 2015 Lionsgate feature film adaptation of this film, starring Julianne Moore. Wade received her second Oscar nomination for her documentary MONDAYS AT RACINE (HBO) in 2013. Wade is the director of the documentaries BORN SWEET (17 film festival awards), LIVING THE LEGACY (Sundance & IFC Channels), GROWING HOPE AGAINST HUNGER (Sesame Street Prime Time Special, Emmy Winner), SHELTER DOGS (HBO, 5 festival awards) HEART FELT (shot in 5 countries) and GRIST FOR THE MILL (Cinemax). She is the co-director of GENERATION STARTUP (2016). She is currently directing television commercials for Procter & Gamble, Kimberly Clark, Unilever and Abbott. Wade is developing her first fiction film project to direct. Wade has an MA in Documentary Filmmaking from Stanford University.

10. 3½ MINUTES, TEN BULLETS
Film Representative: Carolyn Hepburn
Filmmaker: Marc Silver
Runtime: 98 minutes
Synopsis
In 3½ Minutes, Ten Bullets, two lives intersected and were forever altered. On Black Friday in 2012, two cars parked next to each other at a Florida gas station. A white middle-aged male and a black teenager exchanged angry words over the volume of the music in the boy’s car. A gun entered the exchange, and one of them was left dead. Michael Dunn fired ten bullets at a car full of unarmed teenagers and then fled. Three of those bullets hit 17-year-old Jordan Davis, who died at the scene. Arrested the next day, Dunn claimed he shot in self-defense. Thus began the long journey of unraveling the truth. 3½ Minutes follows that journey, reconstructing the night of the murder and revealing how hidden racial prejudice can result in tragedy.
About The Producer
Carolyn Hepburn joined Motto Pictures in 2010 and was Line Producer on two films for Motto that premiered at the 2013 Sundance Film Festival: God Loves Uganda, shortlisted for the 2014 Academy Award for Best Documentary Feature, and Gideon’s Army, winner of the Sundance Film Festival’s Best Editing Award. She worked as the Production Executive of We Are The Giant, which premiered at the 2014 Sundance Film Festival and executive produced Art and Craft, which premiered at the 2014 Tribeca Film Festival and is shortlisted for the 2015 Academy Award for Best Documentary Feature. Hepburn produced 31⁄2 MINUTES, TEN BULLETS, directed by Marc Silver, which will premiere at the 2015 Sundance Film Festival. Hepburn is currently co-producing Ivy Meeropol’s new documentary Indian Point and The Punch directed by Andre Hörmann; and line producing the documentary Fellove, directed by Matt Dillon and Life Animated, directed by Roger Ross Williams. Prior to joining the Motto team, Hepburn produced a wide range of documentary projects for WNET, National Public Radio, and the United Nations as well as innovative experiential media for Spark Productions.

Lagos State Government Nigeria has endorsed the annual Eko International Film Festival

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EWNDORSEMENTThe Lagos State Government under the able and dynamic leadership of His Excellency Executive Governor Akinwunmi Ambode has endorsed the annual Eko International Film Festival. This collaboration is line with his vision of making Lagos State the hub of Entertainment not only in the West African sub-region but the entire Africa at large. Eko International Film Festival is to promote the country’s economy & tourism potential of Lagos by creating opportunities for international co-productions and distribution, thus bringing the world film market to Lagos.The film festival is coming up October 24-29, 2016 in Lagos

Eko International Film Festival 2016 Theme “Product Placement in Films”

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EKOIFF FESTIVAL THEME

‘Product Placement in Films’ is the festival theme of 2016 Eko International Film Festival coming up October 24-29,2016.

The festival theme will be one of the major discussions during the Eko International Film Festival Master Class.

Participants will come from the film industry especially film directors and producers and professionals  from companies – multinationals.

The master class conversation will help filmmakers leverage on company brands around their demography in collaborating in film business.

The on two days master class will be debating on how filmmakers and product and servicing companies can work together in promoting their brands through films.

Master classes offer an opportunity for renowned directors to share their screen experience and memories and dialogue with an audience of film lovers.

We look forward seeing you during the Master Class.

MASTER CLASS

Eko International Film Festival Launch a Film Institute.

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EKOIFF Film Institute

The annual Eko International Film Festival is to launch a film institute during her 7th edition coming up October 24-29.2016.The institute is billed to fill the gap between the new entrants into the Nollywood film industry and established practitioners.

The launch will be during the festival workshop on

Youth development in art workshop: 7th edition Eko Int’l Film Festival.

Our two-day workshop in youth development in Arts will be of immense benefit to our young generation. Arts can save lives. Arts can turn around a troubled teenager; get young men and women off the streets into creative and constructive pursuit. Art can change attitude, build self-esteem and redirect the path of wayward, art can also prevent despair. The workshops will engage young men and women into a more meaningful way to look inside themselves to rediscover their potentials.

Training Modules

  • Screening-writing
  • Directing
  • Cinematography
  • Editing
  • Sound

 

 

“Film & Cultural Diplomacy: Nollywood Case” by Hope Obioma Opara

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USC COVER MPD-Mag-Winter-2016-Cover-1020x1315

The President/Founder Eko International Film Festival Mr Hope Obioma Opara’s  paper on “Film & Cultural Diplomacy: Nollywood Case” which have been published in University of Southern California USA, Public Diplomacy Bi-Annual Magazine. On Pages 33-37.

The continent of Africa is made up of a great number of ethnic cultures, each of which encompasses different tribes and languages. This diverse cultural makeup is exhibited in films of multiple genres that tackle the myriad issues facing the continent. Films are a medium through which cultural diplomacy and international relations can be conducted because they reflect and convey cultural and societal values and promote understanding of the other when presented before large audiences at film festivals and the like. A good example of the transformative value of film can be seen in the case of Nollywood and its impact on Nigerian foreign policy. FILM AS CULTURAL DIPLOMACY

Each year, filmmakers around Africa produce thousands of films, confirming the key position film holds as a product of strategic and artistic relevance. It is an artistic medium that imbibes and conveys the values and beliefs of the culture within which and for which it is made. Because of the significant cultural diversity in Africa, filmmakers there have a multitude of approaches to film production and storytelling.   Films can be used as a tool of cultural diplomacy, which is defined as the exchange of ideas, information, art, and other aspects of culture among nations and their people in order to foster mutual understanding. Popular culture and art play important roles in how a country is perceived by the world, but film is unique because it is easily accessible and often watched by people who might otherwise have no contact with art. Unlike other art forms, film produces a sense of immediacy because the pictures tell stories that viewers can see unfolding. Film’s unique ability to create the illusion of life and reality can offer the world new perspectives, especially those from cultures and places that have traditionally been marginalized. It is an extremely

powerful medium. For example, film can depict human rights abuses and repression in a way that challenges audience members to empathize and consider how justice could be served and wounds healed. Cinema brings people together and creates a forum for individuals on both sides of the lens. Film can empower the audience with the knowledge that personal commitment can make a difference.  Often, films bring up issues that cannot be reached through other, more traditional mediums of discourse. They often revolve around new issues and help to start a discussion in societes around them, a discussion that can lead to change. Films can foster the growth of civil society, mutual cooperation, and understanding by serving as a flexible, universally accepted vehicle for rapprochement, even between countries where diplomatic relations have been strained or are absent. FILM FESTIVALS AND PUBLIC DIPLOMACY

Film festivals are a platform for cross-cultural dialogue, bringing together professionals from different countries to exchange ideas and experiences. They juxtapose works by revolutionaries, cultural figures, environmentalists, and political advocates of all types. Exhibiting the continent’s cultural diversity is often a motivation that unites directors from every corner of Africa, pushing them to produce their work. FILMS OFTEN EXPLORE DIFFICULT SOCIAL AND POLITICAL ISSUES THROUGH VARYING VIEWPOINTS. THIS CONTRIBUTES TO THE DEVELOPMENT OF CROSS-CULTURAL DIALOGUE AND MUTUAL UNDERSTANDING BETWEEN COMMUNITIES,

WHICH REINFORCES THEIR PEACEFUL CO-EXISTENCE.

To fully evaluate the role of film festivals, one must look at the contribution they make to a country’s soft power, and its efficacy as a method for cultural engagement and exchange. These festivals usually feature films that were produced in the previous year, and welcome entries from different genres, including documentary, short film, religious, political, and cultural. In screening such a diverse range of films, festivals can act as an instrument for positive change by encouraging conversation around social, political, and cultural problems. FILM AND CULTURE

A community’s culture consists of conventional patterns of thought and behavior, including values, beliefs, rules of conduct, political organization, economic activities, and the like, which are passed on from one generation to the next by learning – not by biological inheritance. Culture is learned and dependent on being brought up within a framework – a cultural space. Many film festivals present works that reflect the traditions, customs, and rituals of the inhabitants of different countries and in doing so, influence the host audience’s cultural development and understanding of the other.  In this sense, cinema presents inexhaustible possibilities for getting acquainted and sympathizing with people of other nationalities and religions. Looking at the screen and into another, sometimes foreign world, audiences can recognize what all humans share – joys, sorrows, hopes, and adversities. Films often explore difficult social and political issues through varying viewpoints. This contributes to the development of crosscultural dialogue and mutual understanding between communities, which reinforces their peaceful co-existence.

To know someone else means to see oneself in him or her. Film allows people to understand the values and culture of a community. People often take for granted the cultural spaces in which they move around, because in such familiar terrain, they understand what is going on and why. It can be hard to imagine that someone from a different culture, stepping into one’s own, might find it strange and confusing. It can also be hard to recognize that someone’s lack of experience and understanding about one’s cultural space limits their ability to make their own choices and express themselves. This is because in a foreign cultural space, one tends to feel a loss of control that only returns when one has become familiar with the new surroundings. This is why film festivals play a pivotal role for real cultural exchange. IN A FOREIGN CULTURAL SPACE ONE TENDS TO FEEL A LOSS OF CONTROL THAT ONLY RETURNS WHEN ONE HAS BECOME FAMILIAR WITH THE NEW SURROUNDINGS. THIS IS WHY FILM FESTIVALS PLAY A PIVOTAL ROLE FOR REAL CULTURAL EXCHANGE.

The culture of a nation may only develop in a dialogue with other cultures. Such films, while observing closely the life of strangers, may be imbued with common human problems, troubles, joys, and adversities. They will play a role in exploring the most difficult socio-political problems, encouraging tolerance, and emphasizing the shared human experience. These films can also be a tool of advocacy, reconciling with the past to shape a better present and future.  In Africa, some harmful traditions that have been practiced for hundreds of years are no longer in step with modern civilization’s values and beliefs.  Some of the

films submitted to film festivals in Africa explore these issues and work through soft power to bring change.  For instance, B for Boy, a film produced by the Nigerian director Chika Anadu and set in his home country, is a contemporary drama about one woman’s desperate need for a male child. It explores the discrimination of women in the name of culture and religion. This mindset is predominant in eastern Nigeria where women are not allowed to inherit properties from their father; however, legislators are now in the process of passing a law that would allow women to inherit. Another film, I CRY, deals with the issue of female genital mutilation, a harmful cultural tradition that is still being practiced in secret in Nigeria.  The Clan’s Wife is a film produced by a Ugandan filmmaker Hassan Mageye. This piece contributed a major push for the fight against wives being inherited. This is a common practice in Uganda where widows are forcibly inherited, along with other property, by male in-laws upon the death of a husband. The Clan’s Wife tells a compelling story of how the practice of wife inheritance claimed many lives in the area of Ankole in a time when AIDS was less well understood. The storyline revolves around one tragic family who contracts the deadly disease through the forced sharing of a wife. Films of this sort attempt to discourage some of these harmful traditions and encourage change by bringing these issues into the public spotlight. FILM AND NATION-BRANDING: A NOLLYWOOD CASE STUDY

Film can also be a tool for re-branding a country, as the Nollywood film industry has been for Nigeria. The Nigerian government has made citizen diplomacy a central part of its foreign policy strategy – the first time it has enunciated a clear-cut foreign policy objective. Nigeria’s image abroad has been battered by corruption, abject poverty, and

crimes such as bunkering, kidnapping, fraud, and electoral manipulation. Previously, movies had portrayed Nigeria in a bad light. To counter this, the government evaluated the movies produced in Nigeria and encouraged filmmakers to showcase the country’s value systems, rather than supernatural rituals. With a clear message and actions in terms of what it does and does not support in Nigerian film content, the government hopes that its cultural diplomacy work will enhance the country’s image in the international arena, expedite the government’s initiatives for national progress, and add value to Nigerian society. FILM CAN ALSO BE A TOOL FOR RE-BRANDING A COUNTRY, AS THE NOLLYWOOD FILM INDUSTRY HAS BEEN FOR NIGERIA.

Nigeria’s successful motion picture industry enhances the country’s image abroad through both formal and informal means. Nollywood contributes to Nigeria’s GDP and is one of the largest employers in the country, as well as being the second highest-producing film industry in the world. People from all over Africa and the world watch Nollywood films. Often, Nollywood stars are invited to attend special events outside Nigeria as representatives of the country and the industry. This has given the industry a staggering amount of soft power. THIS UNILATERAL BROADCASTING IS TRANSFORMED INTO AN AVENUE OF MULTILATERAL LEARNING THROUGH THE USE OF FILM FESTIVALS, WHICH SERVE TO INFORM AND INFLUENCE AN AUDIENCE WITHIN AND WITHOUT AFRICA, AND BECOMING A MAJOR ELEMENT OF CULTURAL DIPLOMACY WORLDWIDE.

Some  Nollywood  stars have  enhanced Nigeria’s image through their philanthropic efforts. For example, Stephanie Okereke Linus works in collaboration with corporations to provide treatment for women with vesicovaginal fistula, a medical condition that has ravaged many women in Nigeria. Many other Nollywood stars advocate fighting violence against women, an end to child marriage, against rape, and campaigning for each girl’s right to an education. The Nollywood film industry has also attracted major Hollywood talent, for example, the American comedian and actor Danny Glover, also known as Childish Gambino, took part in an upcoming film about the Ebola virus.

THE NIGERIAN FILM INDUSTRY HAVE ENHANCED THE WORLD’S UNDERSTANDING AND RESPECT FOR NIGERIA, BUT THIS UNILATERAL BROADCASTING IS TRANSFORMED INTO AN AVENUE OF MULTILATERAL LEARNING THROUGH THE USE OF FILM FESTIVALS

Nollywood has also produced some international ambassadors who represent the Nigerian people for nongovernmental agencies such as UNICEF and Amnesty International, and major corporations such as Land Rover motor manufacturing company and Unilever consumer goods company. The industry also contributes content to multi-national cable networks like MultiChoice Africa, the biggest cable TV network in South Africa, and StarTimes, cable TV based in China. Movies hailing from Nollywood can be found on popular online platforms such as Iroko TV, Afrinolly, and Netflix, as well as search engines such

as Google and Yahoo, etc.  Nigerian films and the Nigerian film industry have enhanced the world’s understanding and respect for Nigeria, but this unilateral broadcasting is transformed into an avenue of multilateral learning through the use of film festivals, which serve to inform and influence an audience within and without Africa, and becoming a major element of cultural diplomacy worldwide.

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Mr Hope Obioma Opara (President/Founder Eko International Film Festival)

Hope Obioma Opara is the President/ Founder of the Eko International Film Festival (www.ekoiff.org), and the Managing Director of Supple Communications Limited and Flonnal Limited. He holds a Masters of Business Administration and he is a member of the Nigerian Institute of Management (NIM). He is also an Associate Registered Practitioner in Advertising (ARPA) in the Advertising Practitioners Council of Nigeria. Having attended film festivals across Europe, Hope was inspired to establish a film festival in Nigeria in order to foster the growth and development of the “Nollywood” film industry. In addition, he founded Supple Magazine (www.supplemagazine.org), a publication devoted to covering the global film industry and international film festivals.

 

Now Open : 7th Edition of Eko International Film Festival Film Submission

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The Eko International Film Festival will return for its seventh edition in 2016 from October 24th to 29th. The Film Festival is open to filmmakers from around the world and also contributes to the Nigeria being positioned as a creative hub through its focus on high quality, Nigeria cinema.
Eko International Film Festival is accepting entries to the 7th EKOIFF edition. Applications for submitting films are being accepted on the official EKOIFF website
(Submission starts March 1st and Deadline: July 15, 2016).
For a summary of the regulations for the 2016 edition, please visit the EKOIFF website; http://www.ekoiff.org/submission-2/ or contact us by e-mail at submissions@ekoiff.org
The Festival accepts films in five categories which includes:

• Feature Film,
• Short Film,
• Fiction,
• Documentaries,
• Short Documentaries

More information on the programme will be released in the lead up to the event. www.ekoiff.org

The 2015 Annual Eko International Film Festival Winners

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The 6th annual Eko International Film Festival is officially a wrap.

 

god-forgive-us-movieBest feature film: God forgive us  by  Michael Bachochin USA

ka 2Best Nigerian Film: Heavens Hell by Katung Direkta Aduwak  Nigeria

 

Below find the full list of winners.

Ekoiff 2015 Winners

Feature Film Category Award

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1. Best feature film : God forgive us by Michael Bachochin USA

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2. Best Nigerian Film: Heavens Hell by Katung Direkta Aduwak Nigeria

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3. Best Actor Jeffery Kissoon from the film Ham & The Piper Uk

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4. Best Actress Bimbo Akintola from the film Heavens Hell Nigeria

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5. Best Supporting Actor Chumani Pan from the film Silverain Ghana

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6. Best Supporting Actress Nse Ikpe Etim from the film Heavens Hell Nigeria

Documentary Award Category

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Best Documentary Under the Palaver Tree by Clair Savary France

Indigenous Film Award

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1.Best Indigenous Film . Bogiri Olanu by Taiwo Samuel Nigeria

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2.Best Actor Indigenous Tayo Afolayan from the film Alaaru Nigeria

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3.Best Actress Indigenous Fatia Balogun from the film Bogiri Olanu Nigeria

 

Short Film Category Award

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1. Best Short Film Awaiting Lazarus by Duke Orok UK/Nigeria

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2. Best Nigeria Short Film Zyra by Douglas Enogieru Nigeria

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3. Best Actor Short Film Michael Peters from the film Awaiting Lazarus UK/Nigeria

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4. Best Actress Short Film Abigail Ocheibi from the short film Deranged Nigeria

 

Student Animation Film Award

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Best Student Film Animation: Tatiana by Farouk Sadiq Nigeria

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1. Outstanding Young Actor Award Somadina Adinma from the film
Miss Teacher Nigeria

obasi2. Outstanding Young Actress Award Treasure Obasi from the film
Heavens Hell Nigeria

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Outstanding Young Actress Award   Treasure Obasi  from the film Heavens Hell  Nigeria

 

“STOLEN LIVES” kicks off 6th Eko International Film Festival

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This year marks the 6th Annual Eko International Film Festival. The festival runs from November 16-21,2015.
The  film “STOLEN LIVES” kicks off the Festival on Monday, November 16 at the prestigious Silverbird Cinemas Victoria Island Lagos.

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The film Stolen Lives

Synopsis: A night of promiscuous escapade opens up a new chapter in the life of young Amarachi Ogudu; and an entire best-selling novel into the lives of 3 friends.  It’s a web of lies, betrayals, hate, and LOVE.